The press marathon ends with her standing there, exhausted, while fans sob and say this is the best moment of their lives. After opening herself up to every new interviewer, including some who don’t even bother to engage with the heavy questions they’re asking her, she walks out and is immediately met with hundreds of fans, some who immediately pour their hearts out to her on the street. As a fan, and as a journalist, it’s hard to watch Gomez be peppered with questions that range from inane to prying over the course of multiple days. In these moments, the documentary almost turns the lens back on us, in a way that’s reminiscent of another recent music documentary, one that was made without the artist’s participation: Framing Britney Spears. Killers of the Flower Moon’s Author on the Changes the Movie Makes to the Book.What’s Fact and What’s Fiction in Killers of the Flower Moon The Real History Behind Diabetes’ Pivotal Role in Killers of the Flowers Moon Thank you in advance.” Still others, like Taylor Swift’s Miss Americana, fall into some kind of middle ground-a carefully crafted look at a superstar when their guard is down, a tightrope walk between revealing and not revealing too much. Open the edit room immediately so I can be in charge of my own image. I must get final edit and approval on this doc before it releases on Netflix. In a now-deleted Instagram post, Kanye West reacted to the film’s upcoming release, writing, “I’m going to say this kindly for the last time. In response to people who said she looked fat, Selena ended up explaining, I have Lupus and deal with kidney issues and high blood pressure, so I deal with a lot of health issues. Others, like Coodie Simmons and Chike Ozah’s Jeen-Yuhs earlier this year, can be so committed to their unvarnished approach that they draw the ire of their subjects. Selena faced heaps of body-shaming comments back in 2018 after she was photographed by paparazzi out on the beach in a bikini. When Beyoncé released Life Is But a Dream in 2013, she directed, executive produced, and narrated the documentary herself, ever in control of her own self-presentation. Some, like Beyoncé’s Homecoming or Jennifer Lopez’s Halftime, can be a fairly straightforward look at the work it takes to mount a massive performance like “Beychella” or the Super Bowl halftime show. No matter how sincere the approach, though, every documentary is ultimately crafting a narrative.
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